Noël Pasquier - Empreintes - at ART89 Gallery, Paris Pasquier casts the free gestuality, which is the main characteristic of the Paris informal and the American action-painting in the 1950’s, into its pictorial context and into works that offer a more built and fuller area. There are two main areas of chromatic sensitivity in Pasquier: on the one hand, there is the sentimental blue, the blue of liberty in a free space, the blue of the sea, of the infinite in the light; and on the other hand, obviously a much more tectonic reference, there are the colors of the earth, the different shades of ochre, orange, black, which tangibly represent the idea of the rooting of the vital impulse in the created form.
Pasquier casts the free gestuality, which is the main characteristic of the Paris informal and the American action-painting in the 1950’s, into its pictorial context and into works that offer a more built and fuller area. There are two main areas of chromatic sensitivity in Pasquier: on the one hand, there is the sentimental blue, the blue of liberty in a free space, the blue of the sea, of the infinite in the light; and on the other hand, obviously a much more tectonic reference, there are the colors of the earth, the different shades of ochre, orange, black, which tangibly represent the idea of the rooting of the vital impulse in the created form.
Noël Pasquier - Empreintes - at ART89 Gallery, Paris